Last weekend, I was finally able to finish this maxi length Highlands Wrap Dress. I originally intended to finish it back in June but moving and life in general just got in the way. Way back in late winter/early spring, I had the opportunity to test this pattern for Allie. I ended up making a midi length version using gray rayon chambray. I loved the fit of the dress, but the fabric just wasn’t my favorite. I knew I needed to make a second wrap dress in fabric more suited to my style (aka: more color/print).


I’ve literally been in love with this Anna Maria Horner rayon challis print for years. This fabric was originally printed back in 2014 so I thought I’d missed my chance to buy more until a bolt showed up at Suppose. I immediately knew it was meant for a Highlands Wrap Dress and purchased a few yards.


When tracing the pattern I selected a size 4 and graded to a 6 in the hips. I added a total of 4 inches to the length to accommodate my height (2″ at the hips and 2″ below the slit). In retrospect, I probably should’ve added all 4 of those inches above the slit because it is cut just a bit high for my personal preference. I plan to unpick a bit of the side slits and resew them to hit right above my knee. The high slits are a lovely design feature, just not quite as practical for my lifestyle.


Back when I made my original test version, I didn’t add interfacing to the front facings. That was a terrible mistake and made top-stitching the facings a real pain in the you know what. This time, I decided to make a better choice and chose to interface them. I chose a tricot knit interfacing and it worked like a dream. Stitching the facings in place was about 100 times easier and I totally kicked myself for not using it on my first Highlands. I was originally introduced to knit interfacing when sewing a pattern by Gabriela of Chalk and Notch. She recommends it in many of her patterns, and that chick really knows her stuff. I know it’s going to be good if it’s recommended by Gabriela.

Saying that I’m happy with this dress would be an understatement. There’s just something about a flowy, floral print dress that makes me feel put together and pretty. Now excuse me while I go experiment with ways to style this dress for fall and winter. It’s far too lovely to wear only during the summer months.
Note: You might notice that the darts are looking a bit high in these photos. I noticed this when I got home and started editing these. I made the mistake of wearing a different bra when fitting the dress than I was wearing the day I took these photos. Until I started sewing my own clothing, I never realized how much wearing the right undergarments matters (it matters a lot). Now that I’ve made this mistake, I’ll hopefully remember which bra to wear when taking photos in the future.



















When choosing my fabric, I was presented with the dilemma of whether to use a print or a solid. I waffled back and forth between the two until I remembered that I had some of this Euclid fabric in my stash. This is a print designed by Carolyn Friedlander for Robert Kaufman Fabrics. It is printed on their Essex Linen which is a cotton/linen blend. The weight of the fabric is somewhere between a canvas and a quilting cotton. It doesn’t have much drape which makes it great for a bit more structured pants and skirts. As per usual, I purchased the fabric from 







I finished this blouse about a month ago and haven’t had too many chances to wear this top due to the summer heat. This morning I felt a bit of a chill in the air. It made me hopeful that fall is coming soon. I plan to make a nice fitting pair of Ginger Jeans to pair with this top in the cooler months.























The photos above were taken using my self-timer so they’re a little blurry, but I love the way they show the movement of this dress.
Here is a close-up view of the fox buttons I added to the sleeve tabs. The front of the dress uses the minimalist buttons also from Arrow Mountain.
